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filmArche Goes Boddinale 2019Mitteilungen | 09/02/2019MEHR LESENSieben filmArche Produktionen haben es in das Programm der diesjährigen Boddinale geschafft -
48 Stunden Dreh vom 22.-24. Februar / 48h shootMitteilungen | 08/02/2019MEHR LESENEs ist wieder soweit. Eine Sammlung von tapferen Filmemacher_innen stellt sich der Aufgabe, in 48 Stunden einen Kurzfilm auf die Beine zu stellen. Seid dabei.
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Berlinale Tipp: Panel Discussion im HAUMitteilungen | 07/02/2019MEHR LESENZusammen mit "Touch Me Not", kam "Coming Closer", ein Kurzfilm der filmArche ins Rampenlicht und wurde Teil einer ungewöhnlichen Distributionsstrategie
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Infoveranstaltung zur Bewerbung /Info event application procedureMitteilungen | 06/02/2019MEHR LESENAm Sonntag den 17.02.2019 um 19 h öffnet die filmArche wieder ihre Pforten, um alle Fragen zu beantworten, die sich rund um das Bewerbungsverfahren drehen
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Deckname Jenny auf der Boddinale 2019Mitteilungen | 02/02/2019MEHR LESENDer filmArche Langfilm läuft am 12.02.19 in Berlin auf dem Filmfestival Boddinale. Und danach in vielen weiteren Kinos.
Start der Bewerbungsphase: 1. März 2019
Infoveranstaltung zum Studium und Bewerbungsverfahren | Nächster Termin: Freitag, 29.03.2019, 19 Uhr, filmArche e.V., Lahnstraße 25, 12055 Berlin
Die Bewerbungsphase hat begonnen!
Infoveranstaltung zum Studium und Bewerbungsverfahren | Nächster Termin: Dienstag, 08.05., 17 Uhr, filmArche e.V., Lahnstraße 25, 12055 Berlin
Veranstaltungen
Unsere Mittwochsveranstaltungen sind kostenlos und für jeden zugänglich.
März
Veranstaltungsdetails
(englisch below) Geschichte(n) des Films Teil
Veranstaltungsdetails
(englisch below)
Geschichte(n) des Films Teil 4 von 10 plus Literaturliste (Auswahl)
Andreas Jacke
https://de.wikipedia.org/wiki/Andreas_Jacke
13.03.2019, um 19 Uhr, im Foyer
filmArche, Lahnstraße 25, 12055 Berlin
Die Vorträge finden sich auf Deutsch statt.
Die 50er Jahre: Starkult und Pubertätskonflikte in Hollywood – (Billy Wilder, Alfred Hitchcock, Douglas Sirk, Nicholas Ray (The Seven Year Itch, Vertigo, Rebel Without a Cause, Imitation of Life)
Gendertheoretische Überlegungen zum Starkult- über Marilyn Monroe und James Dean, das Method Acting, Generationskonflikte und was ist ein Vorbild?
Literaturliste (Auswahl) zur Vorlesungsreihe: Geschichte(n) des Films2019 – Dozent: dr. andreas jacke
Chantal Akerman (Film-Konzepte) Taschenbuch – 1. Juli 2017
Verlag: edition text + kritik; Auflage: 1 (1. Juli 2017)
André Bazin:
1.Was ist Film? Gebundenes Buch – Ungekürzte Ausgabe, 2002
2. Orson Welles (Bibliotheca Cinemabilia) Gebundenes Buch – 1. März 2011
3. Jean Renoir Broschiert – 1980
Walter Benjamin. (Aura)
Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit
https://de.wikisource.org/wiki/Das_Kunstwerk_im_Zeitalter_seiner_technischen_Reproduzierbarkeit_(Dritte_Fassung)
Sofia Coppola
von Johannes Wende, Michaela Krützen, Fabienne Liptay, Thomas Koebner
Verlag: edition text + kritik; Auflage: 1 (1. Januar 2013)
Über Margarete von Trotta:
Fischetti, Renate
Das neue Kino Broschiert – März 2000 –
Gilles Deleuze
1. Das Bewegungs-Bild: Kino 1 (suhrkamp taschenbuch wissenschaft) – (Hitchcock u. a.)
2. Das Zeit-Bild: Kino 2 (suhrkamp taschenbuch wissenschaft) (Kino ab 1940)
Jean-Luc Godard
1. Einführung in eine wahre Geschichte des Kinos (1992)
2. Film: Geschichte(n) des Kinos. Histoire(s) du cinéma. Deutsche Sprachfassung. Videos
Jacke, Andreas
1. Stanley Kubrick: Eine Deutung der Konzepte seiner Filme (Imago) Taschenbuch – 1. Februar 2009
2. Roman Polanski – Traumatische Seelenlandschaften (Imago) Taschenbuch – 1. Januar 2010
3. „Ein Sex-Symbol mit demokratischen Interesse“, In: Marilyn Monroe – Wer?: Psychoanalytische und kunstwissenschaftliche Annäherungen an den Mythos (Imago) Taschenbuch – 2014
4. Krisen-Rezeption: oder was Sie schon immer über Lars von Trier wissen wollten, aber bisher Jacques Derrida nicht zu fragen wagten 2014
5. Mind Games – Über literarische, psychoanalytische und gendertheoretische Sendeinhalte bei A.C.Doyle und der BBC-Serie Sherlock. 2017
Läufer, Elisabeth
Skeptiker des Lichts: Douglas Sirk und seine Filme Broschiert – 1987
Jean L Nancy
Evidenz des Films: Abbas Kiarostami Taschenbuch – 1. November 2005
Über Jane Champion und Jodie Foster
Christian Peitz
Marilyns starke Schwestern: Frauenbilder im Gegenwartskino (1995)
Andrej Tarkowskij
Die versiegelte Zeit: Gedanken zur Kunst, zur Ästhetik und Poetik des Films
François Truffaut:
Mr. Hitchcock, wie haben Sie das gemacht? Taschenbuch – 1. März 2003
Die Filme meines Lebens (Filmbibliothek) Taschenbuch – 1. April 1997
Ivo Ritzer & Hannah Schoch
Ida Lupino: Die zwei Seiten der Kamera (Deep Focus) (2018)
Donald W. Winnicott: Übergangsobjekte und Übergangsphänomene. Eine Studie über den ersten, nicht zum Selbst gehörenden Besitz, zuerst als Vortrag 1951, dann engl. 1953; dt. in: Psyche Nr. 23, 1969
—————————————————————————–
History(s) of the film Part 4 of 10
Andreas Jacke
https://de.wikipedia.org/wiki/Andreas_Jacke
13.03.2019, at 19 p.m., in the foyer
filmArche, Lahnstraße 25, 12055 Berlin
The lectures are in German.
The 50s: Star cult and puberty conflicts in Hollywood – (Billy Wilder, Alfred Hitchcock, Douglas Sirk, Nicholas Ray (The Seven Year Itch, Vertigo, Rebel Without a Cause, Imitation of Life)
Gender-theoretical reflections on the star cult about Marilyn Monroe and James Dean, method acting, generation conflicts and what is a role model?
Uhrzeit
(Mittwoch) 19:00 - 22:00
Veranstaltungsdetails
Filmprojekte brauchen neue Stoffe und
Veranstaltungsdetails
Filmprojekte brauchen neue Stoffe und Finanzierungsmethoden zur erfolgreichen Realisierung.
Der Film FIKKEFUCHS erzielte eine der erfolgreichsten, deutschen Crowdfunding Finanzierungen.
Einen umfassenden Einblick in die Kampagne vermittelt die Produzentin Saralisa Volm, die als Schaupielerin außerdem eine kleine Rolle übernahm und im Projekt kreativ eingebunden war.
Uhrzeit
(Mittwoch) 19:00 - 21:00
Veranstaltungsdetails
(englisch below) Geschichte(n) des Films Teil
Veranstaltungsdetails
(englisch below)
Geschichte(n) des Films Teil 5 von 10
Andreas Jacke
https://de.wikipedia.org/wiki/Andreas_Jacke
27.03.2019, um 19 Uhr, im Foyer
filmArche, Lahnstraße 25, 12055 Berlin
Die Vorträge finden sich auf Deutsch statt.
Die 60er Jahre: Von der Atombombe zur 68er Revolte und danach – Marguerite Duras/ Alain Resnais, Stanley Kubrick, Lucino Visconti, Jean-Luc Goddard, Roman Polanski, (Hiroshima mon amour, Dr. Strangelove. ll Gattopardo, Pierrot le fou/Weekend, Macbeth)
Zwei Filme über die Atombombe, die bürgerliche Position und die Rebellion der Nouvelle Vague, die Tate-Morde und William Shakespeare
—————————————————————————–
History(s) of the film Part 5 of 10
Andreas Jacke
https://de.wikipedia.org/wiki/Andreas_Jacke
27.03.2019, at 19 p.m., in the foyer
filmArche, Lahnstraße 25, 12055 Berlin
The lectures are in German.
The 60’s: From the atomic bomb to the 68’s revolt and afterwards – Marguerite Duras/ Alain Resnais, Stanley Kubrick, Lucino Visconti, Jean-Luc Goddard, Roman Polanski, (Hiroshima mon amour, Dr. Strangelove. ll Gattopardo, Pierrot le fou/Weekend, Macbeth)
Two films about the atomic bomb, the bourgeois position and the rebellion of the Nouvelle Vague, the Tate-Murders and William Shakespeare
Uhrzeit
(Mittwoch) 19:00 - 22:00
April
Veranstaltungsdetails
(englisch below) Geschichte(n) des Films Teil
Veranstaltungsdetails
(englisch below)
Geschichte(n) des Films Teil 6 von 10
Andreas Jacke
https://de.wikipedia.org/wiki/Andreas_Jacke
10.04.2019, um 19 Uhr, im Foyer
filmArche, Lahnstraße 25, 12055 Berlin
Die Vorträge finden sich auf Deutsch statt.
Die 70er Jahre: Gestörte Beziehungen – Ingmar Bergman, Rainer Werner Fassbinder, Lina Wertmüller, Jaques Rivette, Woody Allen, (The Godfather II, Höstsonaten, Die Ehe der Maria Braun, Pasqualino Settebellezze, Out 1, Annie Hall)
New Hollywood, der schwedische Autorenfilm, der Neue Deutsche Film, eine italienische Groteske, ein französischer Experimentalfilm und eine amerikanische Beziehungskomödie
—————————————————————————–
History(s) of the film Part 4 of 10
Andreas Jacke
https://de.wikipedia.org/wiki/Andreas_Jacke
10.04.2019, at 19 p.m., in the foyer
filmArche, Lahnstraße 25, 12055 Berlin
The lectures are in German.
The 70s: Disturbed relationships – Ingmar Bergman, Rainer Werner Fassbinder, Lina Wertmüller, Jaques Rivette, Woody Allen, (The Godfather II, Höstsonaten, Die Ehe der Maria Braun, Pasqualino Settebellezze, Out 1, Annie Hall)
New Hollywood, the Swedish auteur film, the New German Film, an Italian grotesque, a French experimental film and an American relationship comedy.
Uhrzeit
(Mittwoch) 19:00 - 22:00
Mai
Veranstaltungsdetails
(englisch below) Geschichte(n) des Films Teil
Veranstaltungsdetails
(englisch below)
Geschichte(n) des Films Teil 7 von 10
Andreas Jacke
https://de.wikipedia.org/wiki/Andreas_Jacke
08.05.2019, um 19 Uhr, im Foyer
filmArche, Lahnstraße 25, 12055 Berlin
Die Vorträge finden sich auf Deutsch statt.
Die 80er Jahre: Coolness und das introvertierte Kino der Einsamkeit – Margarethe von Trotta, Wim Wenders, Andrej Tarkowskij, Stephen Spielberg, Jean-Luc Godard (Die bleierne Zeit, Paris, Texas, Nostalgija, E.T. the Extra-Terrestrial, Prénom Carmen)
Die Isolation der Frauen, narzisstisches Kino, ein poetischer Zeitbegriff des Films, eine infantile Auflösung des gewöhnlichen Sciencefiction Horrors, erotische Werbefilm-Ästhetik, Godards Version vom TV und McLuhans Definition von heißen und kalten Medien
—————————————————————————–
History(s) of the film Part 7 of 10
Andreas Jacke
https://de.wikipedia.org/wiki/Andreas_Jacke
08.05.2019, at 19 p.m., in the foyer
filmArche, Lahnstraße 25, 12055 Berlin
The lectures are in German.
The 80s: Coolness and the introverted cinema of loneliness – Margarethe von Trotta, Wim Wenders, Andrej Tarkowskij, Stephen Spielberg, Jean-Luc Godard (The Leaden Age, Paris, Texas, Nostalgija, E.T. the Extra-Terrestrial, Prénom Carmen)
The isolation of women, narcissistic cinema, a poetic concept of time in film, an infantile dissolution of ordinary science fiction horror, erotic advertising aesthetics, Godard’s version of TV and McLuhan’s definition of hot and cold media.
Uhrzeit
(Mittwoch) 19:00 - 22:00
Workshops
Teilnehmen? Mehr Infos gibt’s hier.
März
Veranstaltungsdetails
To register please go here:
Veranstaltungsdetails
To register please go here: https://workshops.filmarche.de/event/ppci
Premiere Pro CC is one of the most powerful, flexible, and easy to use editing applications out there. It has become the standard in independent filmmaking, and some big scales productions are using it too!
In this Introduction Workshop, we’ll learn everything we need to know to create projects with it: the fundamentals of the interface, importing and organizing material, creating and refining edits, working with audio, working with effects, adding titles, and exporting for distribution.
We won’t focus on the technical aspect, but on “how to get things done”, using video and audio real world materials.
Premiere Pro is really an amazing creative tool, that allows us to do anything we need to develop a great movie, in a way that is accessible to everybody.
Requirements:
• Students must have the latest version of Premiere Pro CC installed in English on their laptops (Mac or PC). A free demo of this version can be downloaded from the Adobe web-site. The demo is totally functional for 7 days.
• No previous experience is required.
• Workshop is in English.
SATURDAY
10:00-12:00 PROJECTS AND MEDIA Starting the application. Creation of projects. Project and media organization. Project settings. Sequence settings. Video formats, explained. Interface description. Windows and workspaces. Importing material. Media Browser. Logging tools: bins, labels, sub-clips, markers. How to organize elements inside the project window. Footage interpretation, changing framerates.
12:00-12:10 Coffee/tea.
12:10-14:00 BASIC EDITING I Keyboard commands. Marking material. Editing to sequences. Overwrite and insert. 3 point editing. Editing video and audio separately. Multitrack editing.
14:00-15:00 Lunch.
15:00-18:00 BASIC EDITING II Editing and trimming in the timeline. How to move, erase and trim video and audio clips. Keeping/braking synchrony. Timeline Tools: track select, ripple edit, rolling edit, slip tool, slide tool, razor tool, and pen tool. Trim window: trimming with precision. Q&A.
SUNDAY
10:00-12:00 BASIC EFFECTS Clip properties: position, scale, rotation, anchor point, opacity, blend modes. Video animation: using keyframes to animate clips. Video effects: use of most common effects and animation of effects with keyframes. Stabilization. Managing effects: copying and removing effects on clips.
12:00-12:10 Coffee/Tea.
12:10-14:00 BASIC AUDIO Working with audio. Mixing. Audio keyframes. Clip Mixer and Track Mixer. Gain. Normalization.
14:00-15:00 Lunch.
15:00-18:00 TRANSITIONS Use of video and audio transitions.
TITLES Creation of titles.
EXPORT Exporting media for distribution (master file, Internet delivery, etc..) The different media formats for distribution, explained.
SETTINGS A look to the application settings. Final Q&A.
Flavio G. García is a Berlin based award-winning filmmaker, film teacher, and postproduction expert. He’s a highly experienced editing instructor and creative coach, and teaches to all kind of students, from film professionals to video enthusiasts, since 2009. His workshops take place regularly in many film schools, production companies, institutions, and universities, like FilmArche, MIZ Babelsberg, ESDIP Berlin, DOCMA, DocumentaMadrid, and many others. He has also edited and post-produced several feature films. His movies as director have been shown in more than 40 international film festivals, museums and galleries. Some of his late workshops at FilmArche include: Premiere Pro, Thinking the Edit (Editing Theory Seminar), DaVinci Resolve Introduction and Advanced, Documentary Narrative Structure, and Film Editing Classes. www.flavioggarcia.com flavioggarcia@gmail.com
Uhrzeit
2 (Samstag) 10:00 - 3 (Sonntag) 18:00
Organizer
Jana Gebhardmail@janagebhard.com
Veranstaltungsdetails
Veranstaltungsdetails
The registration for the AnimaDoc Workshop with Nazlı Kaya and Tomáš Doruška on 09./10.03.2019 (10-18h) at filmArche, Lahnstraße 25 is now open! External participants please register here on our new site: https://workshops.filmarche.de/event/190309_animation, Archies find the registration in the Wiki. Please be quick, registration is only possible until 28.02.!
The AnimaDoc Workshop will focus on how the mix of documentary/realistic and animation/imaginary can be used creatively in filmmaking. We offer hands-on training of paper cut-out animation technique. Come up with your ideas and 3 of them will be realized.
This is a video from an earlier AnimaDoc workshop: https://vimeo.com/271426556
No previous experience is required.
The workshop will be held in English.
Uhrzeit
9 (Samstag) 10:00 - 10 (Sonntag) 18:00
Organizer
Aylinaylin.englisch@gmail.com
Veranstaltungsdetails
This
Veranstaltungsdetails
This Premiere Pro Advanced Workshop is oriented to students with some Premiere Pro experience, or attendants of the previous Introduction Workshop. The idea here is for the students to have a deep understanding of the software, and maximize its resources and tools, to edit content with efficiency, creativity and trouble-free!.
We’ll go deeper into the application, explore the new features of the latest releases, study advanced workflows in film production, like High Resolution media (4K and beyond), RAW formats, proxies generation for off-line edit, advanced color correction, integration with other programs, and other sophisticated techniques, tips, and tricks!
Requirements:
• Students must have the latest version of Premiere Pro CC installed in English on their laptops (Mac or PC). A free demo of this version can be downloaded from the Adobe web-site. The demo is totally functional for 7 days.
• Previous experience is required.
• Workshop is in English.
Flavio G. García is a Berlin based award-winning filmmaker, film teacher, and postproduction expert. He’s a highly experienced editing instructor and creative coach, and teaches to all kind of students, from film professionals to video enthusiasts, since 2009. His workshops take place regularly in many film schools, production companies, institutions, and universities, like FilmArche, MIZ Babelsberg, ESDIP Berlin, DOCMA, DocumentaMadrid, and many others. He has also edited and post-produced several feature films. His movies as director have been shown in more than 40 international film festivals, museums and galleries. Some of his late workshops at FilmArche include: Premiere Pro, Thinking the Edit (Editing Theory Seminar), DaVinci Resolve Introduction and Advanced, Documentary Narrative Structure, and Film Editing Classes. www.flavioggarcia.com flavioggarcia@gmail.com
Registration via https://workshops.filmarche.de/event/ppa
Uhrzeit
23 (Samstag) - 24 (Sonntag)
Organizer
Marcos Duenas Paredesmarcosduenas@gmx.de
Veranstaltungsdetails
Registration via https://workshops.filmarche.de/event/tis Have you
Veranstaltungsdetails
Registration via https://workshops.filmarche.de/event/tis
Have you ever imagined yourself living in a different time, in a different culture, with different people? Would you make similar choices? Would you still be you? The Intuitive Story is a worldwide Roleplaying Game that happens in the most enigmatic and yet familiar place – our intuition.
Five players team up to create a group and by using methods of trance and brainstorming they travel to a different period in human evolution to meet as new characters. Each character is embodied with a soul: The Victim, The Leader, The Romantic, The Realist and The Messiah. Now, as soulmates in THIS lifetime, they need discover what their shared story is.
So where will you travel to? Past? Future? Who are you on Columbus’ ship or in World War 2? How old are? What do you look like? Who do you love? What makes you tick? Who is your gang and what is your story? Join The Intuitive Story’s expedition and let’s travel!
About me, Noa. Leading The Intuitive Story at a Film School moves me a lot! This whole thing started as a script when I also studied filmmaking, so I’m very excited to explore with you. Other than leading The Intuitive Story Game I constantly practice the Intuitive Space in daily-life with myself and with others in private sessions; how to curiously observe – what is the force that drives me right now, as I interact with life- relationships, projects, people, myself and everything? Super interesting.
Außerdem, I also studied acting, writing, theater and different methods of therapy. I live in Berlin since 2012, I’m 35 years old and I host Karaoke nights at “Monster Ronson’s ichiban karaoke” (!!)
Looking forward to travel with you
Noa \ theintuitivestory@gmail.com \ +4917647870823
Uhrzeit
23 (Samstag) 10:00 - 24 (Sonntag) 18:00
Organizer
Leonie Kockleonie.kock@gmail.com
April
Veranstaltungsdetails
In this workshop we will
Veranstaltungsdetails
In this workshop we will explore different grading tools to make our footage shine. From DSLR to RED or Alexa, we cover how to take the best out of the cameras and codecs we are using. We will also cover the use of LUTs and how can we integrate them in our creative process. This is beginners-friendly, but you should already know how to use the basic tools inside Resolve, how to import and export a project and how to properly read the waveform, and from here we will advance into different looks and color schemes that we can apply to our scenes.
Bring your laptop with Resolve installed. Minimum requirement to run Resolve is a 512MB Graphic Card (1GB recommended). Bringing your own footage is also welcomed and we can cover it during the workshop.
Uhrzeit
27 (Samstag) 10:00 - 28 (Sonntag) 18:00
Organizer
Yuliyayuliya.boyd@gmail.com
Mai
Keine Veranstaltungen
Workshops
Teilnehmen? Mehr Infos gibt’s hier.
März
Veranstaltungsdetails
To register please go here:
Veranstaltungsdetails
To register please go here: https://workshops.filmarche.de/event/ppci
Premiere Pro CC is one of the most powerful, flexible, and easy to use editing applications out there. It has become the standard in independent filmmaking, and some big scales productions are using it too!
In this Introduction Workshop, we’ll learn everything we need to know to create projects with it: the fundamentals of the interface, importing and organizing material, creating and refining edits, working with audio, working with effects, adding titles, and exporting for distribution.
We won’t focus on the technical aspect, but on “how to get things done”, using video and audio real world materials.
Premiere Pro is really an amazing creative tool, that allows us to do anything we need to develop a great movie, in a way that is accessible to everybody.
Requirements:
• Students must have the latest version of Premiere Pro CC installed in English on their laptops (Mac or PC). A free demo of this version can be downloaded from the Adobe web-site. The demo is totally functional for 7 days.
• No previous experience is required.
• Workshop is in English.
SATURDAY
10:00-12:00 PROJECTS AND MEDIA Starting the application. Creation of projects. Project and media organization. Project settings. Sequence settings. Video formats, explained. Interface description. Windows and workspaces. Importing material. Media Browser. Logging tools: bins, labels, sub-clips, markers. How to organize elements inside the project window. Footage interpretation, changing framerates.
12:00-12:10 Coffee/tea.
12:10-14:00 BASIC EDITING I Keyboard commands. Marking material. Editing to sequences. Overwrite and insert. 3 point editing. Editing video and audio separately. Multitrack editing.
14:00-15:00 Lunch.
15:00-18:00 BASIC EDITING II Editing and trimming in the timeline. How to move, erase and trim video and audio clips. Keeping/braking synchrony. Timeline Tools: track select, ripple edit, rolling edit, slip tool, slide tool, razor tool, and pen tool. Trim window: trimming with precision. Q&A.
SUNDAY
10:00-12:00 BASIC EFFECTS Clip properties: position, scale, rotation, anchor point, opacity, blend modes. Video animation: using keyframes to animate clips. Video effects: use of most common effects and animation of effects with keyframes. Stabilization. Managing effects: copying and removing effects on clips.
12:00-12:10 Coffee/Tea.
12:10-14:00 BASIC AUDIO Working with audio. Mixing. Audio keyframes. Clip Mixer and Track Mixer. Gain. Normalization.
14:00-15:00 Lunch.
15:00-18:00 TRANSITIONS Use of video and audio transitions.
TITLES Creation of titles.
EXPORT Exporting media for distribution (master file, Internet delivery, etc..) The different media formats for distribution, explained.
SETTINGS A look to the application settings. Final Q&A.
Flavio G. García is a Berlin based award-winning filmmaker, film teacher, and postproduction expert. He’s a highly experienced editing instructor and creative coach, and teaches to all kind of students, from film professionals to video enthusiasts, since 2009. His workshops take place regularly in many film schools, production companies, institutions, and universities, like FilmArche, MIZ Babelsberg, ESDIP Berlin, DOCMA, DocumentaMadrid, and many others. He has also edited and post-produced several feature films. His movies as director have been shown in more than 40 international film festivals, museums and galleries. Some of his late workshops at FilmArche include: Premiere Pro, Thinking the Edit (Editing Theory Seminar), DaVinci Resolve Introduction and Advanced, Documentary Narrative Structure, and Film Editing Classes. www.flavioggarcia.com flavioggarcia@gmail.com
Uhrzeit
2 (Samstag) 10:00 - 3 (Sonntag) 18:00
Organizer
Jana Gebhardmail@janagebhard.com
Veranstaltungsdetails
Veranstaltungsdetails
The registration for the AnimaDoc Workshop with Nazlı Kaya and Tomáš Doruška on 09./10.03.2019 (10-18h) at filmArche, Lahnstraße 25 is now open! External participants please register here on our new site: https://workshops.filmarche.de/event/190309_animation, Archies find the registration in the Wiki. Please be quick, registration is only possible until 28.02.!
The AnimaDoc Workshop will focus on how the mix of documentary/realistic and animation/imaginary can be used creatively in filmmaking. We offer hands-on training of paper cut-out animation technique. Come up with your ideas and 3 of them will be realized.
This is a video from an earlier AnimaDoc workshop: https://vimeo.com/271426556
No previous experience is required.
The workshop will be held in English.
Uhrzeit
9 (Samstag) 10:00 - 10 (Sonntag) 18:00
Organizer
Aylinaylin.englisch@gmail.com
Veranstaltungsdetails
This
Veranstaltungsdetails
This Premiere Pro Advanced Workshop is oriented to students with some Premiere Pro experience, or attendants of the previous Introduction Workshop. The idea here is for the students to have a deep understanding of the software, and maximize its resources and tools, to edit content with efficiency, creativity and trouble-free!.
We’ll go deeper into the application, explore the new features of the latest releases, study advanced workflows in film production, like High Resolution media (4K and beyond), RAW formats, proxies generation for off-line edit, advanced color correction, integration with other programs, and other sophisticated techniques, tips, and tricks!
Requirements:
• Students must have the latest version of Premiere Pro CC installed in English on their laptops (Mac or PC). A free demo of this version can be downloaded from the Adobe web-site. The demo is totally functional for 7 days.
• Previous experience is required.
• Workshop is in English.
Flavio G. García is a Berlin based award-winning filmmaker, film teacher, and postproduction expert. He’s a highly experienced editing instructor and creative coach, and teaches to all kind of students, from film professionals to video enthusiasts, since 2009. His workshops take place regularly in many film schools, production companies, institutions, and universities, like FilmArche, MIZ Babelsberg, ESDIP Berlin, DOCMA, DocumentaMadrid, and many others. He has also edited and post-produced several feature films. His movies as director have been shown in more than 40 international film festivals, museums and galleries. Some of his late workshops at FilmArche include: Premiere Pro, Thinking the Edit (Editing Theory Seminar), DaVinci Resolve Introduction and Advanced, Documentary Narrative Structure, and Film Editing Classes. www.flavioggarcia.com flavioggarcia@gmail.com
Registration via https://workshops.filmarche.de/event/ppa
Uhrzeit
23 (Samstag) - 24 (Sonntag)
Organizer
Marcos Duenas Paredesmarcosduenas@gmx.de
Veranstaltungsdetails
Registration via https://workshops.filmarche.de/event/tis Have you
Veranstaltungsdetails
Registration via https://workshops.filmarche.de/event/tis
Have you ever imagined yourself living in a different time, in a different culture, with different people? Would you make similar choices? Would you still be you? The Intuitive Story is a worldwide Roleplaying Game that happens in the most enigmatic and yet familiar place – our intuition.
Five players team up to create a group and by using methods of trance and brainstorming they travel to a different period in human evolution to meet as new characters. Each character is embodied with a soul: The Victim, The Leader, The Romantic, The Realist and The Messiah. Now, as soulmates in THIS lifetime, they need discover what their shared story is.
So where will you travel to? Past? Future? Who are you on Columbus’ ship or in World War 2? How old are? What do you look like? Who do you love? What makes you tick? Who is your gang and what is your story? Join The Intuitive Story’s expedition and let’s travel!
About me, Noa. Leading The Intuitive Story at a Film School moves me a lot! This whole thing started as a script when I also studied filmmaking, so I’m very excited to explore with you. Other than leading The Intuitive Story Game I constantly practice the Intuitive Space in daily-life with myself and with others in private sessions; how to curiously observe – what is the force that drives me right now, as I interact with life- relationships, projects, people, myself and everything? Super interesting.
Außerdem, I also studied acting, writing, theater and different methods of therapy. I live in Berlin since 2012, I’m 35 years old and I host Karaoke nights at “Monster Ronson’s ichiban karaoke” (!!)
Looking forward to travel with you
Noa \ theintuitivestory@gmail.com \ +4917647870823
Uhrzeit
23 (Samstag) 10:00 - 24 (Sonntag) 18:00
Organizer
Leonie Kockleonie.kock@gmail.com
April
Veranstaltungsdetails
In this workshop we will
Veranstaltungsdetails
In this workshop we will explore different grading tools to make our footage shine. From DSLR to RED or Alexa, we cover how to take the best out of the cameras and codecs we are using. We will also cover the use of LUTs and how can we integrate them in our creative process. This is beginners-friendly, but you should already know how to use the basic tools inside Resolve, how to import and export a project and how to properly read the waveform, and from here we will advance into different looks and color schemes that we can apply to our scenes.
Bring your laptop with Resolve installed. Minimum requirement to run Resolve is a 512MB Graphic Card (1GB recommended). Bringing your own footage is also welcomed and we can cover it during the workshop.
Uhrzeit
27 (Samstag) 10:00 - 28 (Sonntag) 18:00
Organizer
Yuliyayuliya.boyd@gmail.com
Mai
Keine Veranstaltungen
