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filmArche in der PresseMitteilungen | 28/10/2018MEHR LESENDer Tagesspiegel war in der filmArche zu Gast und berichtet über unsere selbstorganisierte Lehre. -
Iranischer FilmabendMitteilungen | 16/05/2018MEHR LESENAm 31.05.2018 laden wir zum iranischen Kurzfilmabend in der filmArche ein.
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7. bis 13. Mai 2018 | 15 Jahre filmArche-FeierMitteilungen | 19/04/2018MEHR LESENDie selbstorganisierte Filmschule filmArche e.V. feiert 15. Geburtstag mit einer Themenwoche im Mai..
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Deckname Jenny auf ACHTUNG BERLINMitteilungen | 12/04/2018MEHR LESENDer filmArche Langfilm läuft am 12.4. um 17:00 im Babylon Berlin auf dem Filmfestival ACHTUNG BERLIN. Und danach in vielen weiteren Kinos.
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48 Stunden Dreh vom 13.-15. AprilMitteilungen | 31/03/2018MEHR LESENEs ist wieder soweit. Eine Sammlung von tapferen Filmemacher_innen stellt sich der Aufgabe, in 48 Stunden einen Kurzfilm auf die Beine zu stellen. Seid dabei.
Start der Bewerbungsphase: 15.3.2018
Infoveranstaltung zum Studium und Bewerbungsverfahren | Nächster Termin: Sonntag, 03.06.2018, 16 Uhr, filmArche e.V., Lahnstraße 25, 12055 Berlin
Die Bewerbungsphase hat begonnen!
Infoveranstaltung zum Studium und Bewerbungsverfahren | Nächster Termin: Dienstag, 08.05., 17 Uhr, filmArche e.V., Lahnstraße 25, 12055 Berlin
Veranstaltungen
Unsere Mittwochsveranstaltungen sind kostenlos und für jeden zugänglich.
November
Veranstaltungsdetails
Eine Reise durch die Filmgeschichte
Veranstaltungsdetails
Eine Reise durch die Filmgeschichte mit dem Arche-Urgestein Mark Wachholz
Teil 4: Der postmoderne Film und die Zukunft des Kinos
Am Ende der Reise durch die Filmgeschichte betrachten wir das amerikanische Blockbuster-Kino der 80er, die neuen Impulse durch das aufstrebende Hongkong-Kino und den Independent-Film der 90er.
Neue, fragmentierte Erzählformen suchen Antworten auf die Fragen der Postmoderne.
Und wir werfen einen kurzen Blick in die mögliche Zukunft des Films.
Über den Dozenten:
Mark Wachholz studierte Drehbuch an der filmArche. Er war Co-Autor der preisgekrönten Computerspiele “Drakensang” und “Satinvas Ketten” und veröffentlichte 2014 mit “Höllentrips aus der Postmoderne” die erste grundlegende Beschreibung des Genres Dark Drama.
Für den Indie-Actionthriller „Immigration Game“, der 2017 in den Kinos lief, schrieb er mit an der Story. Als Co-Autor der kommenden Lovecraft-Verfilmung „The Dreamlands“ und Autor bei Serien wie „Land of Giants“ und „Superblack“ entwickelt Mark Wachholz aus Deutschland heraus internationale Genre-Stoffe.
Mittwoch, 7. November 2018
19:00 Uhr
filmArche, Lahnstraße 25
Eintritt frei, u. S. w. g.
Uhrzeit
(Mittwoch) 19:00 - 22:00
Veranstaltungsdetails
Vortrag mit Diskussion Dr. Andreas Jacke
Veranstaltungsdetails
Vortrag mit Diskussion
Dr. Andreas Jacke (Filmwissenschaftler)
20. Juni 2018, 19.00 Uhr
Der Vortrag findet auf Deutsch statt.
Gute Musik motzt jeden Film auf. Dass es auch subtilere Möglichkeiten gibt zeigt Polanski: Nicht zufällig handelt sein Film The Pianist (2002), der viel über eigene Kindheit erzählt von einem Klavierspieler und ist auch nach diesem benannt. Er sagte dazu: „Dieser Film ist ein Zeugnis der Musik, sie wird leben, und hat den Mut gegen das Böse zu stehen“. Der Vortrag verfolgt eine Spur, die in die Welt von Polanskis Filmuniversum über den Soundtrack einführen wird. Tatsächlich wurden biografischen Hintergründe in seinem Werk präzise nachgezeichnet: jener kindliche Ursprung seines Traumas durch den Holocaust, die Ermordung seiner Ehefrau Sharon Tate durch die Manson-Bande (Reaktivierung des Traumas) und schließlich jener sexuelle Missbrauch an einer Minderjährigen, für den Polanski völlig zu Recht angeklagt worden ist und der im Vorlauf der längst fälligen #MeToo Debatte zu einer Verhaftung des Regisseurs 2010 in der Schweiz geführt hat.
Uhrzeit
(Mittwoch) 19:00 - 22:00
Veranstaltungsdetails
The Intuitive story in filmARCHE
Veranstaltungsdetails
The Intuitive story in filmARCHE functions in two ways – a GAME and a PRACTICE. In both cases we’re exploring intuitive listening so we can get in touch with our scripts and flames and let THEM guide us, to how they want to shine.
In THE GAME we create a NEW story. How? Five players team up to create a group and by using methods of trance and brainstorming they travel to a different period in human evolution to meet as new characters. Then, each character is embodied with a soul: The Victim, The Leader, The Romantic, The Realist & The Messiah. Now, as soulmates in THIS lifetime, they need discover what their shared story is. (Full weekend).
In THE PRACTICE we explore YOUR script and creative process; what motivates you to write – Fear or Love? By Love I mean the genuine passion and magic you had when you first knew you are an artist. Slowly and carefully we listen to the different voices in our heads and then slowly and softly check what comes from where. Not because “Love” is “better” than “Fear”, but because we want to be curious, honest and awake to what moves us in life. By exploring ourselves we’re developing empathy and deepen our view about our characters. We become less judgmental about them, ourselves and other people too. (Class & private session)
Uhrzeit
(Mittwoch) 19:00 - 22:00
Dezember
Keine Veranstaltungen
Januar
Keine Veranstaltungen
Workshops
Teilnehmen? Mehr Infos gibt’s hier.
November
Veranstaltungsdetails
In this workshop we will
Veranstaltungsdetails
In this workshop we will focus on the software DaVinci Resolve 14 as a tool to increase the production value of our shots. We will cover basic theory on light and colour spaces to understand concepts like gamma, codecs, mid-tone levels, 8bit, 10bit, what is 4:2:0 and what makes 4:4:4 and RAW different.
Understanding what do you grade for: cinema, web, TV. Rules on that. Correcting mistakes: underexposure, grain, overexposure, focus, white balance. Matching shots within a scene, even when shot with different cameras. How to deal with that. Avoiding on-set mistakes that are hard to correct on post. Keeping a consistent look throughout the scene. Creating a global look for your film.
The Workshop is intended for people with basic knowledge on camera, light and/ or editing softwares who want an introduction on DaVinci Resolve. Bring your own laptop with the software.
Registration via leonie.kock@gmail.com
Uhrzeit
3 (Samstag) 10:00 - 4 (Sonntag) 18:00
Organizer
Leonie Kockleonie.kock@gmail.com
Veranstaltungsdetails
In this workshop we will
Veranstaltungsdetails
In this workshop we will explore different grading tools to make our footage shine. From DSLR to RED or Alexa, we cover how to take the best out of the cameras and codecs we are using. We will also cover the use of LUTs and how can we integrate them in our creative process. Additionally we will cover Fairlight, the audio post production software integrated in Resolve to learn the most basic audio tweaks and tricks to get a polished audio without leaving Resolve.
This is beginners-friendly, but you should already know how to use the basic tools inside Resolve, how to import and export a project and how to properly read the waveform, and from here we will advance into different looks and color schemes that we can apply to our scenes.
Bring your laptop with Resolve installed.
Minimum requirement to run Resolve is a 512MB Graphic Card (1GB recommended). Bringing your own footage is also welcomed and we can cover it during the workshop.
Registration via leonie.kock@gmail.com
Uhrzeit
10 (Samstag) 10:00 - 11 (Sonntag) 18:00
Organizer
Leonie Kockleonie.kock@gmail.com
Veranstaltungsdetails
This is an introductory workshop
Veranstaltungsdetails
This is an introductory workshop to the great world of After Effects, the industry standard software for effects and graphics animation.
The workshop is oriented to editors (or people with some editing background), to help them accomplish common effects and text animation tasks.
Film and video editors are often asked to do certain kind of effects that are not available inside the editing software itself (whatever they are on Avid Media Composer, Premiere Pro, Final Cut Pro X, or DaVinci Resolve).
This is sometimes needed to improve video with quality issues (like noise or shakiness), and sometimes used for creative reasons, to achieve a certain aesthetic.
After Effects is also often used to create film credits.
Part I of the Workshop focuses on working with effects and postproduction, and Part II focuses more on graphics animation, and title creation.
Requirements:
• Students must have the latest version of After Effects CC installed in English on their laptops (Mac or PC). A free demo of this version can be downloaded from the Adobe web¬site. The demo is totally functional for 7 days.
• As the workshop is oriented to video editors, previous experience with any video editing software is preferred.
• The workshop is in English.
DAY ONE
10:00-12:00
AFTER EFFECTS OVERVIEW
The fundamentals of the interface.
Managing windows and workspaces.
Creating projects and compositions.
Composition settings.
Importing: video, audio, image sequences.
Premiere Pro – After Effects integration: how to send clips from Premiere’s Timeline to After Effects.
Importing sequences from other programs (Avid, FCP X, DaVinci Resolve).
The layer system.
12:00-12:10
Coffee/tea.
12:10-14:00
BASIC LAYERS, PARAMETERS, AND ANIMATION
Transform parameters.
3D layers.
Keyframes.
Temporal interpolation.
Spatial interpolation.
The Graph Editor: working with curves.
Grouping layers (Pre-compose).
14:00-15:00
Lunch.
15:00-18:00
WORKING WITH EFFECTS
The effects library.
Adding effects to layers.
Animating effects parameters.
Image repair effects: stabilization, grain removal, flicker removal, etc..
Overview of the most useful effects: camera blur, glow, light rays, distort, etc..
Variable speed effects, using Timewrap.
Building effects to match a style.
DAY TWO
10:00-12:00
WORKING WITH MASKS
Using masks to key out elements of the image.
Using masks to isolate effects
Mask drawing, and properties.
Masks animation.
Tracking masks to follow movement.
Adjustment layers.
Creative use of masks and effects.
12:00-12:10
Coffee/tea.
12:10-14:00
3D CAMERA TRACKER
3D Tracking, explained.
How to use tracking to replace an element of the image.
How to use tracking to make a title follow a character.
How to use tracking o position and follow perspective in a 3D space.
14:00-15:00
Lunch.
15:00-18:00
EXPORTING FROM AFTER EFFECTS
Render quality and settings.
Export formats.
Exporting with an alpha channel.
Sending compositions to Premiere, without exporting.
Postproduction workflow when Premiere, DaVinci Resolve, and After Effects are involved.
Project back-up.
Final Q&A
Continuation of After Effects for Editors I.
Requirements:
• Students must have the latest version of After Effects CC installed in English on their laptops (Mac or PC). A free demo of this version can be downloaded from the Adobe web¬site. The demo is totally functional for 7 days.
• As the workshop is oriented to video editors, previous experience with any video editing software is preferred.
• The workshop is in English.
PART II
DAY ONE
10:00-12:00
BASIC TEXT AND SHAPE ANIMATION
Animation workflow.
Text animation.
Creating shapes.
Working with animation templates.
12:00-12:10
Coffee/tea.
12:10-14:00
ADVANCED TEXT ANIMATION
Animating text properties.
Animation through a path.
3D text animation.
Alignment tools.
14:00-15:00
Lunch.
15:00-18:00
INTRODUCTION TO THE 3D SPACE
The 3D space, explained.
Adding a virtual camera.
Camera properties.
Adding virtual lights.
Lights properties.
Lighting a 3D scene.
DAY TWO
10:00-12:00
ANIMATION IN THE 3D SPACE I
Layer, camera and light animation.
Arranging elements in the 3D space.
Planning, and workflow.
Motion Blur, and why it matters.
12:00-12:10
Coffee/tea.
12:10-14:00
ANIMATION IN THE 3D SPACE II
Adding depth of field.
Combining masks, effects and text layers.
Making the camera fly through the scene.
Creative use of 3D animation.
Creating film credits.
14:00-15:00
Lunch.
15:00-18:00
MOTION GRAPHICS TEMPLATES
After Effects-Premiere Pro integration.
Using After Effects to create Master Templates.
Adding editable parameters to Templates.
Exporting Templates to Premiere.
Using, managing, and editing Master Templates in Premiere Pro.
fee 200 Euro / discounted fee 160 Euro / fee for supporters 240 Euro
Uhrzeit
24 (Samstag) 10:00 - 25 (Sonntag) 18:00
Organizer
Jana Gebhardmail@janagebhard.com
Dezember
Veranstaltungsdetails
This is an introductory workshop
Veranstaltungsdetails
This is an introductory workshop to the great world of After Effects, the industry standard software for effects and graphics animation.
The workshop is oriented to editors (or people with some editing background), to help them accomplish common effects and text animation tasks.
Film and video editors are often asked to do certain kind of effects that are not available inside the editing software itself (whatever they are on Avid Media Composer, Premiere Pro, Final Cut Pro X, or DaVinci Resolve).
This is sometimes needed to improve video with quality issues (like noise or shakiness), and sometimes used for creative reasons, to achieve a certain aesthetic.
After Effects is also often used to create film credits.
Part I of the Workshop focuses on working with effects and postproduction, and Part II focuses more on graphics animation, and title creation.
Requirements:
• Students must have the latest version of After Effects CC installed in English on their laptops (Mac or PC). A free demo of this version can be downloaded from the Adobe web¬site. The demo is totally functional for 7 days.
• As the workshop is oriented to video editors, previous experience with any video editing software is preferred.
• The workshop is in English.
DAY ONE
10:00-12:00
AFTER EFFECTS OVERVIEW
The fundamentals of the interface.
Managing windows and workspaces.
Creating projects and compositions.
Composition settings.
Importing: video, audio, image sequences.
Premiere Pro – After Effects integration: how to send clips from Premiere’s Timeline to After Effects.
Importing sequences from other programs (Avid, FCP X, DaVinci Resolve).
The layer system.
12:00-12:10
Coffee/tea.
12:10-14:00
BASIC LAYERS, PARAMETERS, AND ANIMATION
Transform parameters.
3D layers.
Keyframes.
Temporal interpolation.
Spatial interpolation.
The Graph Editor: working with curves.
Grouping layers (Pre-compose).
14:00-15:00
Lunch.
15:00-18:00
WORKING WITH EFFECTS
The effects library.
Adding effects to layers.
Animating effects parameters.
Image repair effects: stabilization, grain removal, flicker removal, etc..
Overview of the most useful effects: camera blur, glow, light rays, distort, etc..
Variable speed effects, using Timewrap.
Building effects to match a style.
DAY TWO
10:00-12:00
WORKING WITH MASKS
Using masks to key out elements of the image.
Using masks to isolate effects
Mask drawing, and properties.
Masks animation.
Tracking masks to follow movement.
Adjustment layers.
Creative use of masks and effects.
12:00-12:10
Coffee/tea.
12:10-14:00
3D CAMERA TRACKER
3D Tracking, explained.
How to use tracking to replace an element of the image.
How to use tracking to make a title follow a character.
How to use tracking o position and follow perspective in a 3D space.
14:00-15:00
Lunch.
15:00-18:00
EXPORTING FROM AFTER EFFECTS
Render quality and settings.
Export formats.
Exporting with an alpha channel.
Sending compositions to Premiere, without exporting.
Postproduction workflow when Premiere, DaVinci Resolve, and After Effects are involved.
Project back-up.
Final Q&A
Continuation of After Effects for Editors I.
Requirements:
• Students must have the latest version of After Effects CC installed in English on their laptops (Mac or PC). A free demo of this version can be downloaded from the Adobe web¬site. The demo is totally functional for 7 days.
• As the workshop is oriented to video editors, previous experience with any video editing software is preferred.
• The workshop is in English.
PART II
DAY ONE
10:00-12:00
BASIC TEXT AND SHAPE ANIMATION
Animation workflow.
Text animation.
Creating shapes.
Working with animation templates.
12:00-12:10
Coffee/tea.
12:10-14:00
ADVANCED TEXT ANIMATION
Animating text properties.
Animation through a path.
3D text animation.
Alignment tools.
14:00-15:00
Lunch.
15:00-18:00
INTRODUCTION TO THE 3D SPACE
The 3D space, explained.
Adding a virtual camera.
Camera properties.
Adding virtual lights.
Lights properties.
Lighting a 3D scene.
DAY TWO
10:00-12:00
ANIMATION IN THE 3D SPACE I
Layer, camera and light animation.
Arranging elements in the 3D space.
Planning, and workflow.
Motion Blur, and why it matters.
12:00-12:10
Coffee/tea.
12:10-14:00
ANIMATION IN THE 3D SPACE II
Adding depth of field.
Combining masks, effects and text layers.
Making the camera fly through the scene.
Creative use of 3D animation.
Creating film credits.
14:00-15:00
Lunch.
15:00-18:00
MOTION GRAPHICS TEMPLATES
After Effects-Premiere Pro integration.
Using After Effects to create Master Templates.
Adding editable parameters to Templates.
Exporting Templates to Premiere.
Using, managing, and editing Master Templates in Premiere Pro.
fee 200 Euro / discounted fee 160 Euro / fee for supporters 240 Euro
Uhrzeit
1 (Samstag) 10:00 - 2 (Sonntag) 18:00
Organizer
Jana Gebhardmail@janagebhard.com
Veranstaltungsdetails
Fotografien bringen uns mit
Veranstaltungsdetails
Fotografien bringen uns mit diversen und komplexen Realitäten in Kontakt. Sie wurden schon immer genutzt, um reduzierte Projektionen von Gruppen und Menschen zu verbreiten und damit Machtstrukturen zu legitimieren. Eine Kamera ist kein unschuldiges Objekt. Alle, die fotografieren oder filmen sind Teil dieser Legitimation, wenn sie internalisierte und unreflektierte Bilder produzieren und veröffentlichen.
Dieser Workshop regt die Teilnehmer*innen dazu an, sich ihre eigenen internalisierten Bilder bewusst zu machen, insbesondere von Orten und Gruppen im Stadtraum Berlins.
Mit mehreren künstlerischen Methoden wie Theater, Performance, Collage, Zeichnung und Fotografie werden die Teilnehmer*innen in einer non-kognitiven Form ihre „visuelle Kultur“, die durch Kunst, Werbung, Kino, Nachrichten, etc. gebildet wird, erkennen und erlangen einen kritischen und kreativen Umgang. Ein Schwerpunkt im Workshop wird die Kamera mit ihren Gestaltungsmittel sein – Brennweiten, Kadrage, Point of view, Fokus beeinflussen die Qualität des Diskurses gegenüber bestimmten Gruppen. Es wird reflektiert, wie diese Elemente benutzt werden können, um Menschen in ohnmächtigen oder mächtigen Positionen zu repräsentieren.
Der Workshop führt Interessierte an das Thema Machtstrukturen und Fotografie heran.
Wenn möglich sollten die Teilnehmenden eine eigene Kamera mitbringen. Bitte gebt Bescheid, wenn das nicht möglich ist (caspar@roma-filmfestival.com).
Samstag, 8.12., 10-17 Uhr, inkl. Mittagspause.
Kosten: 30€ (Mitglieder der filmArche: 10€).
ORi – Forum künstlerische Bildmedien e.V. – Friedelstraße 8, 12047 Berlin
Referent*innen: Isaumir Nascimento (Fotograf und Kunstpädagoge) und Yili Rojas (Künstlerin und Bildungsreferentin). www.fotografieundmacht.wordpress.com.
Workshopsprache: Deutsch
Anmeldung unter: caspar@roma-filmfestival.com
Die filmArche ist Kooperationspartner des Roma-Filmfestivals Ake Dikhea?
Uhrzeit
(Samstag) 10:00 - 17:00
Location
ORi - Forum künstlerische Bildmedien e.V.
Friedelstraße 8, 12047 Berlin
Organizer
Caspar Schleichercaspar@roma-filmfestival.com
Januar
Keine Veranstaltungen
Workshops
Teilnehmen? Mehr Infos gibt’s hier.
November
Veranstaltungsdetails
In this workshop we will
Veranstaltungsdetails
In this workshop we will focus on the software DaVinci Resolve 14 as a tool to increase the production value of our shots. We will cover basic theory on light and colour spaces to understand concepts like gamma, codecs, mid-tone levels, 8bit, 10bit, what is 4:2:0 and what makes 4:4:4 and RAW different.
Understanding what do you grade for: cinema, web, TV. Rules on that. Correcting mistakes: underexposure, grain, overexposure, focus, white balance. Matching shots within a scene, even when shot with different cameras. How to deal with that. Avoiding on-set mistakes that are hard to correct on post. Keeping a consistent look throughout the scene. Creating a global look for your film.
The Workshop is intended for people with basic knowledge on camera, light and/ or editing softwares who want an introduction on DaVinci Resolve. Bring your own laptop with the software.
Registration via leonie.kock@gmail.com
Uhrzeit
3 (Samstag) 10:00 - 4 (Sonntag) 18:00
Organizer
Leonie Kockleonie.kock@gmail.com
Veranstaltungsdetails
In this workshop we will
Veranstaltungsdetails
In this workshop we will explore different grading tools to make our footage shine. From DSLR to RED or Alexa, we cover how to take the best out of the cameras and codecs we are using. We will also cover the use of LUTs and how can we integrate them in our creative process. Additionally we will cover Fairlight, the audio post production software integrated in Resolve to learn the most basic audio tweaks and tricks to get a polished audio without leaving Resolve.
This is beginners-friendly, but you should already know how to use the basic tools inside Resolve, how to import and export a project and how to properly read the waveform, and from here we will advance into different looks and color schemes that we can apply to our scenes.
Bring your laptop with Resolve installed.
Minimum requirement to run Resolve is a 512MB Graphic Card (1GB recommended). Bringing your own footage is also welcomed and we can cover it during the workshop.
Registration via leonie.kock@gmail.com
Uhrzeit
10 (Samstag) 10:00 - 11 (Sonntag) 18:00
Organizer
Leonie Kockleonie.kock@gmail.com
Veranstaltungsdetails
This is an introductory workshop
Veranstaltungsdetails
This is an introductory workshop to the great world of After Effects, the industry standard software for effects and graphics animation.
The workshop is oriented to editors (or people with some editing background), to help them accomplish common effects and text animation tasks.
Film and video editors are often asked to do certain kind of effects that are not available inside the editing software itself (whatever they are on Avid Media Composer, Premiere Pro, Final Cut Pro X, or DaVinci Resolve).
This is sometimes needed to improve video with quality issues (like noise or shakiness), and sometimes used for creative reasons, to achieve a certain aesthetic.
After Effects is also often used to create film credits.
Part I of the Workshop focuses on working with effects and postproduction, and Part II focuses more on graphics animation, and title creation.
Requirements:
• Students must have the latest version of After Effects CC installed in English on their laptops (Mac or PC). A free demo of this version can be downloaded from the Adobe web¬site. The demo is totally functional for 7 days.
• As the workshop is oriented to video editors, previous experience with any video editing software is preferred.
• The workshop is in English.
DAY ONE
10:00-12:00
AFTER EFFECTS OVERVIEW
The fundamentals of the interface.
Managing windows and workspaces.
Creating projects and compositions.
Composition settings.
Importing: video, audio, image sequences.
Premiere Pro – After Effects integration: how to send clips from Premiere’s Timeline to After Effects.
Importing sequences from other programs (Avid, FCP X, DaVinci Resolve).
The layer system.
12:00-12:10
Coffee/tea.
12:10-14:00
BASIC LAYERS, PARAMETERS, AND ANIMATION
Transform parameters.
3D layers.
Keyframes.
Temporal interpolation.
Spatial interpolation.
The Graph Editor: working with curves.
Grouping layers (Pre-compose).
14:00-15:00
Lunch.
15:00-18:00
WORKING WITH EFFECTS
The effects library.
Adding effects to layers.
Animating effects parameters.
Image repair effects: stabilization, grain removal, flicker removal, etc..
Overview of the most useful effects: camera blur, glow, light rays, distort, etc..
Variable speed effects, using Timewrap.
Building effects to match a style.
DAY TWO
10:00-12:00
WORKING WITH MASKS
Using masks to key out elements of the image.
Using masks to isolate effects
Mask drawing, and properties.
Masks animation.
Tracking masks to follow movement.
Adjustment layers.
Creative use of masks and effects.
12:00-12:10
Coffee/tea.
12:10-14:00
3D CAMERA TRACKER
3D Tracking, explained.
How to use tracking to replace an element of the image.
How to use tracking to make a title follow a character.
How to use tracking o position and follow perspective in a 3D space.
14:00-15:00
Lunch.
15:00-18:00
EXPORTING FROM AFTER EFFECTS
Render quality and settings.
Export formats.
Exporting with an alpha channel.
Sending compositions to Premiere, without exporting.
Postproduction workflow when Premiere, DaVinci Resolve, and After Effects are involved.
Project back-up.
Final Q&A
Continuation of After Effects for Editors I.
Requirements:
• Students must have the latest version of After Effects CC installed in English on their laptops (Mac or PC). A free demo of this version can be downloaded from the Adobe web¬site. The demo is totally functional for 7 days.
• As the workshop is oriented to video editors, previous experience with any video editing software is preferred.
• The workshop is in English.
PART II
DAY ONE
10:00-12:00
BASIC TEXT AND SHAPE ANIMATION
Animation workflow.
Text animation.
Creating shapes.
Working with animation templates.
12:00-12:10
Coffee/tea.
12:10-14:00
ADVANCED TEXT ANIMATION
Animating text properties.
Animation through a path.
3D text animation.
Alignment tools.
14:00-15:00
Lunch.
15:00-18:00
INTRODUCTION TO THE 3D SPACE
The 3D space, explained.
Adding a virtual camera.
Camera properties.
Adding virtual lights.
Lights properties.
Lighting a 3D scene.
DAY TWO
10:00-12:00
ANIMATION IN THE 3D SPACE I
Layer, camera and light animation.
Arranging elements in the 3D space.
Planning, and workflow.
Motion Blur, and why it matters.
12:00-12:10
Coffee/tea.
12:10-14:00
ANIMATION IN THE 3D SPACE II
Adding depth of field.
Combining masks, effects and text layers.
Making the camera fly through the scene.
Creative use of 3D animation.
Creating film credits.
14:00-15:00
Lunch.
15:00-18:00
MOTION GRAPHICS TEMPLATES
After Effects-Premiere Pro integration.
Using After Effects to create Master Templates.
Adding editable parameters to Templates.
Exporting Templates to Premiere.
Using, managing, and editing Master Templates in Premiere Pro.
fee 200 Euro / discounted fee 160 Euro / fee for supporters 240 Euro
Uhrzeit
24 (Samstag) 10:00 - 25 (Sonntag) 18:00
Organizer
Jana Gebhardmail@janagebhard.com
Dezember
Veranstaltungsdetails
This is an introductory workshop
Veranstaltungsdetails
This is an introductory workshop to the great world of After Effects, the industry standard software for effects and graphics animation.
The workshop is oriented to editors (or people with some editing background), to help them accomplish common effects and text animation tasks.
Film and video editors are often asked to do certain kind of effects that are not available inside the editing software itself (whatever they are on Avid Media Composer, Premiere Pro, Final Cut Pro X, or DaVinci Resolve).
This is sometimes needed to improve video with quality issues (like noise or shakiness), and sometimes used for creative reasons, to achieve a certain aesthetic.
After Effects is also often used to create film credits.
Part I of the Workshop focuses on working with effects and postproduction, and Part II focuses more on graphics animation, and title creation.
Requirements:
• Students must have the latest version of After Effects CC installed in English on their laptops (Mac or PC). A free demo of this version can be downloaded from the Adobe web¬site. The demo is totally functional for 7 days.
• As the workshop is oriented to video editors, previous experience with any video editing software is preferred.
• The workshop is in English.
DAY ONE
10:00-12:00
AFTER EFFECTS OVERVIEW
The fundamentals of the interface.
Managing windows and workspaces.
Creating projects and compositions.
Composition settings.
Importing: video, audio, image sequences.
Premiere Pro – After Effects integration: how to send clips from Premiere’s Timeline to After Effects.
Importing sequences from other programs (Avid, FCP X, DaVinci Resolve).
The layer system.
12:00-12:10
Coffee/tea.
12:10-14:00
BASIC LAYERS, PARAMETERS, AND ANIMATION
Transform parameters.
3D layers.
Keyframes.
Temporal interpolation.
Spatial interpolation.
The Graph Editor: working with curves.
Grouping layers (Pre-compose).
14:00-15:00
Lunch.
15:00-18:00
WORKING WITH EFFECTS
The effects library.
Adding effects to layers.
Animating effects parameters.
Image repair effects: stabilization, grain removal, flicker removal, etc..
Overview of the most useful effects: camera blur, glow, light rays, distort, etc..
Variable speed effects, using Timewrap.
Building effects to match a style.
DAY TWO
10:00-12:00
WORKING WITH MASKS
Using masks to key out elements of the image.
Using masks to isolate effects
Mask drawing, and properties.
Masks animation.
Tracking masks to follow movement.
Adjustment layers.
Creative use of masks and effects.
12:00-12:10
Coffee/tea.
12:10-14:00
3D CAMERA TRACKER
3D Tracking, explained.
How to use tracking to replace an element of the image.
How to use tracking to make a title follow a character.
How to use tracking o position and follow perspective in a 3D space.
14:00-15:00
Lunch.
15:00-18:00
EXPORTING FROM AFTER EFFECTS
Render quality and settings.
Export formats.
Exporting with an alpha channel.
Sending compositions to Premiere, without exporting.
Postproduction workflow when Premiere, DaVinci Resolve, and After Effects are involved.
Project back-up.
Final Q&A
Continuation of After Effects for Editors I.
Requirements:
• Students must have the latest version of After Effects CC installed in English on their laptops (Mac or PC). A free demo of this version can be downloaded from the Adobe web¬site. The demo is totally functional for 7 days.
• As the workshop is oriented to video editors, previous experience with any video editing software is preferred.
• The workshop is in English.
PART II
DAY ONE
10:00-12:00
BASIC TEXT AND SHAPE ANIMATION
Animation workflow.
Text animation.
Creating shapes.
Working with animation templates.
12:00-12:10
Coffee/tea.
12:10-14:00
ADVANCED TEXT ANIMATION
Animating text properties.
Animation through a path.
3D text animation.
Alignment tools.
14:00-15:00
Lunch.
15:00-18:00
INTRODUCTION TO THE 3D SPACE
The 3D space, explained.
Adding a virtual camera.
Camera properties.
Adding virtual lights.
Lights properties.
Lighting a 3D scene.
DAY TWO
10:00-12:00
ANIMATION IN THE 3D SPACE I
Layer, camera and light animation.
Arranging elements in the 3D space.
Planning, and workflow.
Motion Blur, and why it matters.
12:00-12:10
Coffee/tea.
12:10-14:00
ANIMATION IN THE 3D SPACE II
Adding depth of field.
Combining masks, effects and text layers.
Making the camera fly through the scene.
Creative use of 3D animation.
Creating film credits.
14:00-15:00
Lunch.
15:00-18:00
MOTION GRAPHICS TEMPLATES
After Effects-Premiere Pro integration.
Using After Effects to create Master Templates.
Adding editable parameters to Templates.
Exporting Templates to Premiere.
Using, managing, and editing Master Templates in Premiere Pro.
fee 200 Euro / discounted fee 160 Euro / fee for supporters 240 Euro
Uhrzeit
1 (Samstag) 10:00 - 2 (Sonntag) 18:00
Organizer
Jana Gebhardmail@janagebhard.com
Veranstaltungsdetails
Fotografien bringen uns mit
Veranstaltungsdetails
Fotografien bringen uns mit diversen und komplexen Realitäten in Kontakt. Sie wurden schon immer genutzt, um reduzierte Projektionen von Gruppen und Menschen zu verbreiten und damit Machtstrukturen zu legitimieren. Eine Kamera ist kein unschuldiges Objekt. Alle, die fotografieren oder filmen sind Teil dieser Legitimation, wenn sie internalisierte und unreflektierte Bilder produzieren und veröffentlichen.
Dieser Workshop regt die Teilnehmer*innen dazu an, sich ihre eigenen internalisierten Bilder bewusst zu machen, insbesondere von Orten und Gruppen im Stadtraum Berlins.
Mit mehreren künstlerischen Methoden wie Theater, Performance, Collage, Zeichnung und Fotografie werden die Teilnehmer*innen in einer non-kognitiven Form ihre „visuelle Kultur“, die durch Kunst, Werbung, Kino, Nachrichten, etc. gebildet wird, erkennen und erlangen einen kritischen und kreativen Umgang. Ein Schwerpunkt im Workshop wird die Kamera mit ihren Gestaltungsmittel sein – Brennweiten, Kadrage, Point of view, Fokus beeinflussen die Qualität des Diskurses gegenüber bestimmten Gruppen. Es wird reflektiert, wie diese Elemente benutzt werden können, um Menschen in ohnmächtigen oder mächtigen Positionen zu repräsentieren.
Der Workshop führt Interessierte an das Thema Machtstrukturen und Fotografie heran.
Wenn möglich sollten die Teilnehmenden eine eigene Kamera mitbringen. Bitte gebt Bescheid, wenn das nicht möglich ist (caspar@roma-filmfestival.com).
Samstag, 8.12., 10-17 Uhr, inkl. Mittagspause.
Kosten: 30€ (Mitglieder der filmArche: 10€).
ORi – Forum künstlerische Bildmedien e.V. – Friedelstraße 8, 12047 Berlin
Referent*innen: Isaumir Nascimento (Fotograf und Kunstpädagoge) und Yili Rojas (Künstlerin und Bildungsreferentin). www.fotografieundmacht.wordpress.com.
Workshopsprache: Deutsch
Anmeldung unter: caspar@roma-filmfestival.com
Die filmArche ist Kooperationspartner des Roma-Filmfestivals Ake Dikhea?
Uhrzeit
(Samstag) 10:00 - 17:00
Location
ORi - Forum künstlerische Bildmedien e.V.
Friedelstraße 8, 12047 Berlin
Organizer
Caspar Schleichercaspar@roma-filmfestival.com
Januar
Keine Veranstaltungen
